Faced with contemporary challenges, science communication has adopted dialogical and affective strategies to bring science and society closer together. In this scenario, theater stands out as an ally, expanding communication beyond the transmission of content. This research investigates the insertion and reception of humor in the play "The Big Problem of the Infinite Band," from the Museu da Vida Fiocruz, which seeks to promote a positive experience with mathematics. Based on Bergson and Fo's concepts of humor and Hall's Encoding/Decoding model, the analysis highlights the use of comic mechanisms capable of entertaining and fostering identification and belonging to the mathematical universe.
Date of publication
May 20, 2026
pt
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Article