In recent years, numerous initiatives have emerged in Argentina where both scientists and artists combine science and theatre, either as a form of art and/or public science communication. In order to understand the current state of this field, a research was conducted involving an exhaustive search, a survey, and interviews. The goal was to identify what actions are being carried out in our country and who, how, and why these practices, which could be termed scientific theatre, are being developed, as well as to explore their histories, interests, and perceptions regarding this practice

In this article, we share a creative and pedagogical process that brings the so-called "science on stage" to life, emerging at the intersection of theater and science. Through a theater methodology, we use elements of the clown genre to develop a formative process rich in bodily and emotional expression, integrating narratives around science and culminating in a stage proposal. The result is an educational experience where emotion and reflection emerge as the undisputed protagonists, promoting deeper learning and a more meaningful connection with the audience, and in turn, a connection between the audience and scientific themes.

In Argentine institutes and scientific research centers, efforts are rarely dedicated to public science communication (PSC), which weakens the connection with the society to which they belong. For this reason, in 2015, the Institute of Limnology “Dr. Raúl A. Ringuelet” (La Plata, Buenos Aires, Argentina) created its Extension and Communication Area, which has coordinated numerous activities at science fairs, schools, and neighborhoods. Through the implementation of a relational approach, adaptable to similar institutions, solid connections have been established with various sectors, and the internal revaluation and enhancement of PSC.