This article investigates the role of media behavior in the adherence of Brazilians to the three main non-pharmacological measures (NPIs) endorsed by global health organizations against COVID-19: the use of face masks, social distancing, and frequent handwashing. Following the outbreak of a pandemic when vaccines are not yet available, the adoption of these behaviors may be the only effective measure against the threats of a new disease. Grounded in social cognitive theory, we examine the behavioral determinants of adherence to these measures in Brazil, a middle-income country marked by significant economic and informational inequalities. Brazil, one of the countries most severely impacted by the COVID-19 pandemic, was led by former President Jair Bolsonaro, who showed little regard for the use of face masks and encouraged large gatherings at political events. Our findings, based on an online survey administered to a sample of 2,771 individuals, indicate that media-related determinants such as knowledge about COVID-19, the use of social and traditional media, and belief in a conspiracy theory regarding the origin of the coronavirus play a significant role in explaining adherence to preventive measures. In contrast, other determinants such as political preferences, sociodemographic characteristics, and environmental factors play a secondary role.
During the covid-19 pandemic in Brazil, it was observed that a great number of false messages circulated on social media. Most of these messages featured scientific and technological elements. This article analyzes how scientific and technological aspects were used in false messages about the pandemic. From the Latam Chequea Coronavírus databank, we have compiled 152 false messages that featured the inappropriate use of scientific knowledge. The results showed that false messages appropriated science and technology to usurp their social value in search of credibility. To achieve this, the fake news used verbal-visual resources, authorities and mixed true and false information
The article analyzes the series of reports Behind the Scenes of Science, produced by Jornal UFG in 2020, as an action to combat disinformation, spurred by attacks on a researcher during the covid-19 health emergency. In the content analysis of the series’ articles, it is possible to understand some of the values highlighted in the reports as a strategy of credibility of science and the university, as well as of the journalism. In this case, journalism serves as a filter of reality and strategy for defending institutions and science.
In recent years, numerous initiatives have emerged in Argentina where both scientists and artists combine science and theatre, either as a form of art and/or public science communication. In order to understand the current state of this field, a research was conducted involving an exhaustive search, a survey, and interviews. The goal was to identify what actions are being carried out in our country and who, how, and why these practices, which could be termed scientific theatre, are being developed, as well as to explore their histories, interests, and perceptions regarding this practice
The study describes and analyzes the production of a health communication podcast based on the ‘Health Handbook of Persons Affected by Leprosy’, produced by the Brazilian Ministry of Health, in 2020. In a study that analyzed the perception of users treated at a specialized public outpatient clinic, it was observed that some of them were unable to read and interpret printed text. The perceived difficulties motivated the adaptation of the content and, thus, the Podhans podcast was created. With accessible and relaxed language, the 16 episodes explore useful topics about the daily lives of people with leprosy and the disease, created from listening to users and considering principles of public communication. Available online, it can be used in the Brazilian Unified Health System (SUS) services and by social movements, expanding access to health information and communication about leprosy.
In Argentine institutes and scientific research centers, efforts are rarely dedicated to public science communication (PSC), which weakens the connection with the society to which they belong. For this reason, in 2015, the Institute of Limnology “Dr. Raúl A. Ringuelet” (La Plata, Buenos Aires, Argentina) created its Extension and Communication Area, which has coordinated numerous activities at science fairs, schools, and neighborhoods. Through the implementation of a relational approach, adaptable to similar institutions, solid connections have been established with various sectors, and the internal revaluation and enhancement of PSC.
In this article, we share a creative and pedagogical process that brings the so-called "science on stage" to life, emerging at the intersection of theater and science. Through a theater methodology, we use elements of the clown genre to develop a formative process rich in bodily and emotional expression, integrating narratives around science and culminating in a stage proposal. The result is an educational experience where emotion and reflection emerge as the undisputed protagonists, promoting deeper learning and a more meaningful connection with the audience, and in turn, a connection between the audience and scientific themes.